Critically discuss this idea with reference to examples of complex and/or high concept television.

Which of the public health organizations identified in your class resources thus far, might employ this type of public health professional?
July 7, 2020
Determine whether Mitchell’s statement and resulting actions by the school violate the First Amendment.
July 7, 2020
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Critically discuss this idea with reference to examples of complex and/or high concept television.

Question: For Eugene Thacker, dark media embodies a paradox ˜as it communicates with or connects to that which is, by definition, inaccessible.’ Critically discuss this idea with reference to examples of complex and/or high concept television. Essential Reading: Sobchack, Vivian (2004) ˜Carnal Thoughts: Embodiment and Moving Image Culture’ (read chapter ˜What My Fingers Knew: The Cinesthetic Subject, or Vision in the Flesh’, p.53-85), University of California Press Supplementary Reading: Barthes, Roland (1992) Camera Lucida, New York: Vintage. Bazin, Andre (1967) What is Cinema?, Berkeley, Los Angeles, and London: University of California Press. Buckland, W. (1999) ˜Between Science Fact and Science Fiction: Spielberg’s Digital Dinosaurs, Possible Worlds, and the New Aesthetic Realism’, Screen 40, no.2 (Summer), 177-192. Doane, Mary Ann (2002) The Emergence of Cinematic Time: Modernity, Contingency, The Archive, Cambridge, Mass and London: Harvard University Press. Kilborn, R.W. & Izod, J (1997) An Introduction to Television Documentary: Confronting Reality, Manchester: Manchester University Press. Marks, Laura (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses, Duke University Press. (Read especially chapter ˜The Memory of Touch’, pp.127-194) Musser, Charles (1994) The Emergence of Cinema: The American Screen to 1907, Los Angeles, Berkeley and London: University of California Press. Ochs, Elinor (1990) ˜Indexicality and Socialisation’ in James W. Stigler, Richard A. Sweder, and Gilbert Herdt, Cultural Psychology: Essays on Comparative Human Development, Cambridge: Cambridge University Press, pp.287-308. Pierson, Michele (1999) ˜CGI Effects in Hollywood Science-Fiction Cinema 1989-95: The Wonder Years’, Screen 40, no.2 (Summer), 158-76. Trotter, David (2004) ˜Stereoscopy: Modernism and the œHaptic’, Critical Quarterly 46, No 4, 38-58. Trotter, David (2007) Cinema and Modernism, Malden, MA and Oxford: Blackwell. Advanced Reading: Butler, Judith (1993) Bodies that Matter: On the Discursive Limits of Sex, New York: Routledge. Derrida, Jacques (1992) On Touching “ Jean-Luc Nancy, Stanford: Stanford University Press. Gilbert, Paul and Kathleen Lennon (2005) The World, the Flesh and the Subject: Continental Themes in the Philosophy of Mind and Body, Edinburgh: Edinburgh University Press. Marks, Laura U. (2002) Touch: Sensuous Theory and Multisensory Media, Minneapolis and London: University of Minnesota Press. Merleau-Ponty, Maurice (2007) Phenomenology of Perception, London: Routledge. Paterson, Mark (2007) The Senses of Touch: Impacts, Affects and Technologies, Oxford: Berg Publishers

 

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